Essay about Friendship Theme in Gilgamesh - 970 Words

Friendship Theme in Gilgamesh True friendship is egalitarian. Everything is shared, loyalty to the friendship is equal, and the basis of the camaraderie is wholly altruistic. The friendship between the king Gilgamesh and the man of the steppe, Enkidu, was not a true and equal friendship. Loyalties and sacrifices to that friendship were disproportionate. Friendship is conveyed in more than one way in Gilgamesh. The companionship between Enkidu and the animals of the steppe is the first example of friendship. Enkidu lived with the animals, as one of them: He freed them from the traps / The hunters set. / A hunter’s son one day / Saw Enkidu opening a trap: / The creature was all covered with hair / And yet his hands had the†¦show more content†¦/ Gilgamesh was quiet at this interpretation / Of his dream. (p. 19) Ninsun was right, and the friendship between Gilgamesh and Enkidu was one of great loyalty and trust. The formation of the friendship between Gilgamesh and Enkidu was very abrupt. Upon meeting, they fought fiercely, stopped, and embraced. This pithiness gives an air of ingenuity to the relationship, but that is later shattered by their loyalty to one another in following scenes. And they were friends: / They had embraced and made their vow / To stay together always, / No matter what the obstacle. (p. 27) The most supporting aspect of their companionship was their encouragement to one another. When one of the friends faltered or showed weakness, the other reinforced fearlessness and reminded them of their friendship. No, Enkidu cried; it is the journey / That will take away our life. / Don’t be afraid, said Gilgamesh / We are together. There is nothing / We should fear†¦Ã¢â‚¬ ¦ Suddenly it was Gilgamesh who was afraid / Enkidu who reminded him to be fearless. (p. 28, 34) Enkidu’s devotion to Gilgamesh is shown in their battles with both Humbaba and the Bull of Heaven. By partaking in these battles with Gilgamesh, Enkidu is expressing his friendship. The conquests aren’t his idea, and heShow MoreRelatedThe Epic Of Gilgamesh : Gilgamesh1013 Words   |  5 Pages Gilgamesh in 2015 Even though the epic Gilgamesh is thousands of years old, it is still read today. Why would the era of technology read an epic this old? This is because the themes in Gilgamesh are still relevant. In addition, the themes are experiences that Gilgamesh went through in his life period, and serve as lessons for the current readers. Gilgamesh’s themes include journey, legacy, love, and death. These themes make Gilgamesh a vital reading for the 21st century citizens because peopleRead More Lessons Learned From the Epic of Gilgamesh Essay1448 Words   |  6 Pages The Epic of Gilgamesh, a Mesopotamian epic poem with no known author, is the story of the brute King of Uruk, Gilgamesh, who was two-thirds divine and one-third human, which teaches readers the unstoppable force of death, the wrath of the gods, and also the power of friendship, which are illustrated to readers through the characters journeys, and those encountered along the way. The poem, which is divided into t welve tablets, starts off with Gilgamesh being a vicious tyrant, one who â€Å"wouldRead MoreGilgamesh : The Epic Of Gilgamesh1194 Words   |  5 Pages The Epic of Gilgamesh is a Mesopotamian epic poem loosely based on a real king who ruled sometime around 2700 BCE. The standard version of this epic was written in the Akkadian language. In this epic poem, Gilgamesh is King of Uruk, he is one third mortal and two-thirds god; he is described as a strong, arrogant, and unruly king that does not show much consideration for his actions. Gilgamesh is a very egocentric person; he has no respect for the feelings of others and does not care about howRead MoreEpic of Gilgamesh1581 Words   |  7 PagesIntroduction The epic poem dubbed the Epic of Gilgamesh is perhaps the earliest surviving literature on the face of the planet. The poem came from Mesopotamia in its original cuneiform script comprising 12 tablets. The Epic of Gilgamesh is a chronicle detailing the classic adventures of Gilgamesh, a historic king of Uruk. Over the years, historians have eliminated the 12th tablet for alleged inconsistencies. The poem depicts a wide range of themes such as the inevitability of death, which is portrayedRead MoreAnalysis Of The Epic Of Gilgamesh 1449 Words   |  6 PagesEpic of Gilgamesh, Gilgamesh is a bully king who frightens and annoys the people of Uruk. After the gathering with Enkidu and becoming his friend does Gilgamesh transform, into a hero worthy of history. The brotherly or â€Å"bromantic† ( considering the questionable relationship they have) love the two have for each other helps Gilgamesh become an better leader to his people by permitting him to better understand and identify with them. Even though the myth of Gilgamesh is very ancient, friendship and deathRead MoreThe Epic of Gilgamesh1067 Words   |  5 PagesEpic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a personRead MoreThemes Of Immortality And Improbable Brotherhood Of Gilgamesh And Enkidu1250 Words   |  5 PagesThemes of Immortality and Improbable Brotherhood of Gilgamesh and Enkidu â€Å"The Epic of Gilgamesh† takes two very different characters and places them together with numerous battles causing an outcome of brotherhood. Gilgamesh is the fifth king of Uruk an evolving character who is two-thirds god and one-third man. He is a demigod who is known for his hubris and building the walls of Uruk for his peoples protection. Enkidu is the conception of the goddess Aruru made of clay and salvia to tame GilgameshRead MoreThe Epic Of An Epic886 Words   |  4 Pagesoften begins with a prayer or an invocation to the Muse for inspiration in telling the story. The word inspired has different meanings in different cultures. In addition to these mentioned characteristics, most epic poems conventions have common themes. For example, epics are â€Å"in medias res†, In Medias Res is Latin for it begins in the middle of things. Specifically, in Iliad, for example, the tale begins after the war between Greece and the forces of the walled city of Troy has been on goingRead MoreThe Epic Of Gilgamesh And The Iliad1546 Words   |  7 PagesThe Epic of Gilgamesh and the Iliad are two extremely different stories, The Iliad being a tale of war (specifically the Trojan War) while the Epic of Gilgamesh is a true Epic in the sense that it is a journey, all about the development of the characters. While there are many different themes throughout both books, one of the most important themes is the way that friendship develops both of the people involved and the way that it ties into the story overall. In the Epic of Gilgamesh, Enkidu and GilgameshRead MoreThe Epic Of Gilgamesh And The Lesson962 Words   |  4 Pagesshare have their similarities, maybe even be the same story, unintentionally, of course. Stories like The Epic of Gilgamesh and Toni Cade Bambara’s â€Å"The Lesson†. The Epic of Gilgamesh and â€Å"The Lesson† are mainly about the main character having to deal with a higher authority are either fought or just poin ted out when the character hasn’t realized it. Both stories . The Epic of Gilgamesh is a tale from ancient Mesopotamia, with no known author (however there is an editor who was a Sin-leqi-unninni,

Personal Statement For A Interview Essay - 805 Words

â€Å"How’s everything going with you this evening?† the voter on the other end of the phone asks with friendly interest so genuine it almost catches me off-guard. â€Å"Good!† I answer, eager to share my news, â€Å"I’m excited to complete twenty-four hours of phone banking for Bernie tonight!† â€Å"Wow!† they exclaim. â€Å"Hope you have lots of snacks and coffee!† â€Å"Oh, I meant including what I’ve done since March.† â€Å"Ohhh!† they respond, now understanding. We both laugh. â€Å"Yeah, that’d be intense!† At this point, since March 4th, I have completed twenty-seven hours of phone banking, as well as about two hours of door-to-door canvassing (with more to come at least until the end of the primary season), for presidential candidate Bernie Sanders. I give credit for my initial motivation to my sister Mikaela, whose organizing of expatriates for Bernie in South Korea made me ask myself, â€Å"What’s my excuse? I live here! I should be doing what I can.† Bernie Sanders’ policies and positions have appealed to me since I first started learning about the Senator from Vermont. As a Social Welfare major whose career aspirations include environmental justice advocate and anti-poverty policy-maker, I gravitate toward the person who has shown consistent commitment to the well-being of oppressed people. From domestic policy that protects everyone’s health so Americans don’t have to keep going bankrupt due to medical bills, to a diplomacy-first foreign policy agenda to prevent needless civilian death and displacement,Show MoreRelatedAn Interview With Personal Statement1139 Words   |  5 Pagesemployment, referring source. James Richard is a 16 years old male, white American, single, still in high school, and living in a foster care home. He was referred by school, due to some mental challenges and the sources of information was through an interview with client. II. 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Commercialization of the Navajo Sand Painting Practice Free Essays

For the West, art has traditionally been considered as the mark of civilization, in so far as humanity is able to capture and render the essence of beauty and preserve this through their â€Å"artwork.† ( Gilbert, 1982; Errington, 1994; Witherspoon, 1977)   Indeed, art may even be a purely Western construct â€Å"since textiles and jewellery, clothing and cosmetics (to mention only a few of the contexts where aesthetic choices operate) are not usually considered by us to be Art with a capital ‘A’.† (Gilbert, 1982: 168) The understanding and appreciation of non-Western â€Å"art† has therefore been problematic for many scholars, given that branding such cultural products and practices as such carries with it the enthnocentric connotations of the Western definition which usually defines â€Å"art† based on the value system of Western culture (Gilbert, 1982: 167-168; Errington, 1994: 203; Clifford, 1988:221) that, as Robbins (2005) points out, has become more and more concerned with the accumulation of material wealth and the derivation of fulfillment from the consumption of products (Robbins 2005:20) and where the perception of beauty is lamentably static. We will write a custom essay sample on Commercialization of the Navajo Sand Painting Practice or any similar topic only for you Order Now (Witherspoon, 1977:152) Critics have likewise noted that â€Å"art† in the West has often connoted being â€Å"art by intention,† which are produced and valued to be perceived for their beauty and for the monetary value that they carried.(Errington, 1994: 201) This is distinguished from what is considered as â€Å"art by appropriation† or the things that were produced for purposes other than art but are appraised to be of high value with antiquity or the possession of an indigenous or unique identity, thereby alienating them from the culture that produced them. Witherspoon (1977), for instance, emphasizes the importance of defining indigenous behavior, institutions, and practices within the context of their culture or at the very least, â€Å"against the backdrop of their view of the world or their ideological frame of reference.† (Witherspoon 1977:4) This includes confronting the fact that these cultures often evolve or even change with their exposure to other cultures and vice versa. The dilemma over the treatment and definition of non-Western art is illustrated, for instance, in efforts to preserve Navajo sand paintings so they could be sold and collected (Errington, 1994: 203). The sand paintings which were originally used in Navajo religious rites and healing ceremonies have been described as â€Å"true masterpieces of art† for their â€Å"instinctive awareness of the basic principles of design, colour harmonies, and contrasts.† (Foster, 1963:43) Ironically, the sand paintings were created by the Navajo not for art’s sake but as an integral part of religious healing ceremonies to locate and reestablish of an individual in his or her right place in the the universe and thus cure his or her illness. These paintings often utilized colored sand, cornmeal, and other bits of material to depict the Navajo’s vision of the cosmos and to symbolize their socio-economic life and other cultural elements.(Robbins, 2005: 14; Foster, 1963: 43) Foster (1963) notes that the Navajo was able to make over a thousand designs from symbols and patterns that were unique to them, and how, after the sand painting had been painstakingly drawn, the shamans would proceed to rub parts of the design on the individual who was to be cured while praying through chants. For the Navajo people, the sand paintings were indeed relevant not only as a religious tool but also as a source of magic. Horrified by the fact that these intricate sand paintings were often destroyed by being sat on or rubbed off during the healing process and thrown out afterwards, â€Å"concerned† individuals found ways to keep these intact using glue and other materials. (Errington, 1994: 203) This concern to preserve the end product of a cultural practice for its artistic or aesthetic value, however, contrasts sharply with the Navajo’s concept of beauty that lies more in the creative process that is inextricably linked with their way of life itself. Thus, beauty for the Navajo lies not in the sand painting that has served its purpose in curing a community member’s illness but in the entire religious ceremony where the sand painting is but a small component. The careless tendency to preserve or collect â€Å"art† from other cultures therefore engenders the superimposition of   another culture’s value systems and assumptions of meaning on the cultural practices or even the products of cultural practices (Errington, 1994: 205). This is especially true in the case of the sand paintings, where the preservation enabled them to become â€Å" durable and portable, able to be moved to new locations, and hung on the walls as â€Å"art†Ã¢â‚¬  (Errington, 1994:205). With this transformation from a religious and highly significant part of Navajo tradition to a home or museum artifact, the Navajo sand painting tend to lose its significance as it became divorced from the culture that produced it. Thus, the Navajo sand painting seem to have lost its meaning as it became more and more commercialized. Approriated as art, the practice became insignificant insofar as the culture and the community that practiced it disintegrated, devoiding sand painting of its ritual meaning and significance. Works Cited: Clifford, J. (1988). The Predicament of Culture. Cambridge: Harvard University Press. Errington, S. (1994). What became authentic primitive art? Cultural Anthropology, 9(2). Foster, K. (1963). Navajo sand paintings. Man, 63. Gilbert, M. (1982). Art: the primitive view. The British Journal of Aesthetics, 22(2). Robbins, R. H. (2005). Global Problems and the Culture of Capitalism. Boston, MA: Allyn Bacon. Witherspoon, G. (1977). Language and Art in the Navajo Universe. Michigan: University of Michigan Press.                                        How to cite Commercialization of the Navajo Sand Painting Practice, Essay examples

Rubin Hurricane Cater free essay sample

People say Rubin â€Å"Hurricane† Carter was guilty of a triple homicide, but 16 year old Lesra Martin changed Rubin’s life forever. In 1966, in Paterson, New Jersey, Rubin â€Å"Hurricane† Carter was arrested for a triple homicide that he may or may not have committed. Lesra Martin a 16 year old boy from Bushwick, New York was living with his Canadian family in Toronto Ontario, Canada when Lesra read Rubin Carter’s story, and believed Rubin to be an innocent man. Lesra Martin was inspired by Rubin Carter’s story, he wrote Rubin a letter saying how much it inspired him and also explained his story, even went to visit Rubin in jail. Lesra and his Canadian family found new evidence that can prove that Rubin â€Å"Hurricane† Carter is an innocent man. Lesra and the Canadians tried to get Rubin a trial date to present the new evidence, but each time was denied. Finally Rubin Carter was put to trial, but the judge refused to look at the new evidence after 20 years, but then Rubin’s lawyer made a very good case on why the judge should look at the new evidence. We will write a custom essay sample on Rubin Hurricane Cater or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page They all believed, after looking at the new evidence, that Rubin â€Å"Hurricane† Carter an African American man was arrested on the account of racism. Rubin Carter was then found not guilty of the triple homicide in 1966 and was then released in 1999. Rubin Hurricane cater has been innocent ever since he was arrested and convicted of murder. Rubin hurricane carter is a lucky man thanks to Lesra martin, a 16 year old boy from the ghetto streets of Bushwick, New York and his Canadian Family, from Toronto Ontario Canada, they found Rubin Carter an innocent man.